Posted on Leave a comment

Using Your Oboe or Bassoon Skills to Get Into College: A Guide for Aspiring Musicians

Colleges and Universities Need Oboists and Bassoonists

For students who excel at playing the oboe or bassoon, these unique talents can open doors to college admissions, scholarships, and academic opportunities. Whether you’re considering a full music degree, a minor, or just want to keep music in your life while pursuing another field, your double reed skills can be a significant asset.

Why Colleges and Universities Need Oboists and Bassoonists

  1. Demand for Double Reed Players:
    • Oboes and bassoons are essential in orchestras, wind ensembles, and chamber groups, but fewer students play these instruments compared to more common ones like flute or clarinet.
    • College music programs are always looking for talented double reed players to fill these critical spots.
  2. Opportunities for Scholarships:
    • Many colleges offer scholarships specifically for oboists and bassoonists, even if you’re not planning to major in music.
    • These scholarships can make a significant difference in funding your education.
  3. Smaller Competition Pools:
    • Compared to other instrumentalists, oboe and bassoon players often face less competition, making it easier to stand out during the admissions process.

Paths to Study Music in College

  1. Music Major or Minor:
    • Music Major: Pursuing a degree in music means diving deep into your craft with courses in performance, theory, history, and more.
    • Music Minor: A music minor allows you to continue playing and studying music while focusing your main studies on another field.
  2. Secondary Major:
    • Some students choose to double major, combining music with another field like science, business, or humanities. This path is demanding but can provide a well-rounded education.
  3. Participating Without Majoring:
    • Even if you don’t major or minor in music, many colleges allow students to participate in ensembles, take private lessons, or enroll in music courses. This option keeps music in your life without the commitment of a music degree.

The Reality of Conservatories and Music as a Profession

  1. Conservatories:
    • Admission to top conservatories like Juilliard, Curtis, or Eastman is highly competitive, requiring exceptional talent and dedication.
    • Students must prepare rigorous audition materials and demonstrate a deep commitment to music.
  2. Music as a Career:
    • A career in music is challenging, with intense competition for jobs in orchestras, teaching, or as a soloist.
    • It demands continuous practice, resilience, and a willingness to navigate the ups and downs of a highly competitive field.

Noteworthy Music Programs Across the U.S.

If you’re interested in studying music, either as a major, minor, or as an extracurricular pursuit, here are some colleges and universities to consider. This information is current as of September, 2024:

  1. University of Michigan – School of Music, Theatre & Dance
    • Department Head: Aaron Berofsky
    • Contact: aberofsk@umich.edu
    • Music Minor Program: Offers a flexible minor with opportunities to study performance, theory, and history.
  2. Indiana University Jacobs School of Music
    • Department Head: Gwyn Richards
    • Contact: gwyricha@indiana.edu
    • Music Minor Program: A robust program allowing students to engage in high-level music study while pursuing another major.
  3. University of Southern California Thornton School of Music
    • Department Head: Robert Cutietta
    • Contact: cutietta@usc.edu
    • Music Minor Program: Offers several minors, including popular music, jazz studies, and music industry.
  4. Northwestern University Bienen School of Music
    • Department Head: Toni-Marie Montgomery
    • Contact: tmontgomery@northwestern.edu
    • Music Minor Program: Allows students to combine music studies with any other major at the university.
  5. Oberlin College and Conservatory
    • Department Head: William Quillen
    • Contact: wquillen@oberlin.edu
    • Music Minor Program: While more focused on conservatory-level training, Oberlin offers opportunities for non-majors to participate in music.

How to Make the Most of Your Music Skills in College

  • Stay Connected: Join ensembles, take lessons, and participate in music-related activities on campus, even if you’re not a music major.
  • Explore Opportunities: Look into scholarships and financial aid options specifically for double reed players.
  • Talk to Professors: Reach out to music department heads and professors to learn more about the programs and how they can accommodate your interests.

Final Thoughts

Whether you’re aiming for a conservatory or simply want to keep playing while pursuing another major, your oboe or bassoon skills can play a significant role in your college journey. Remember, this guide is just a starting point—be sure to discuss your options with your teachers, friends, and family to find the path that’s right for you.

 

Posted on Leave a comment

Treasure Oboe Reeds

Logan Baker
Treasure Reed Maker

We’re honored to feature Treasure Oboe Reeds on our website. Logan is an active double reed maker, performer, and teacher. A long-time Montana resident, Logan established Treasure State Reeds in the Spring of 2022. Logan stays very busy making high quality double reeds and teaching private lessons.

Logan attended the University of Montana, where he studied reed-making, pedagogy performance, auditions, and ensemble playing. He teaches both oboe and bassoon (a rare combo) and his students have achieved many successes. In teaching, he emphasizes reed making, performance, chamber ensembles, music theory, aural training, and career/college pursuits.

As a performer, Logan is active in four professional orchestras in Montana and serves on sub lists for two more. In orchestra, and in solo ventures, he performs on oboe, oboe d’amore, English horn, bassoon and contra bassoon!

He now resides in Phoenix, AZ pursuing advanced job and school opportunities.

Details about Treasure Oboe Reeds Our Website

Posted on Leave a comment

Telos Oboe and English Horn Reeds

Edino Biaggi
Telos Reed Maker

We’re honored to feature Telos Oboe Reeds and Telos English Horn Reeds on our website. Edino Biaggi, the grand-nephew of the famous Argentinean Tango composer, pianist, and bandleader Rodolfo “Manos Brujas” Biaggi, embarked on his musical journey at the tender age of six.

This early start laid the foundation for a remarkable career as a distinguished oboist and educator. Edino’s exceptional talent has graced numerous prestigious concert halls and international tours, garnering him prestigious awards and accolades along the way.

Edino’s dedication to his craft led him to earn full scholarships to study under renowned oboe teachers Alex Klein and Humbert Lucarelli in Chicago and New York City. He later served as oboe faculty at two esteemed New York City universities, Queens and Brooklyn Colleges.

In addition to his prowess as a performer, Edino is also a skilled reed maker, overseeing a successful woodwind supply business. His innovative approach to reed making allows him to handcraft over 4,000 reeds annually, setting him apart as a true professional in his field.

Recognizing Edino’s exceptional talent, the United States Department of Homeland Security granted him his Green Card and U.S. citizenship solely based on his musical abilities, a feat that is both challenging and uncommon. Today, he maintains a busy schedule as a highly sought-after soloist, respected oboe mentor, and successful entrepreneur in the woodwind supply industry.

Details about Telos Oboe Reeds and Telos English Horn Reeds

 

Posted on Leave a comment

Sequoyah Oboe and English Horn Reeds

Theresa Delaplain
Sequoyah Reed Maker

We’re honored to feature Sequoyah Oboe Reeds and Sequoyah English Horn Reeds on our website. Theresa Delaplain has had an admirable career as an oboist and pedagogue. She has performed as soloist with the Fort Smith Symphony, the North Arkansas Symphony, the Arkansas Philharmonic, the Thai National Orchestra, and the University of Arkansas Symphony Orchestra, Wind Symphony, and Chamber Orchestra.

Delaplain is oboist with the Lyrique Quintette and serves as Principal Oboist for the Fort Smith Symphony and the Arkansas Philharmonic.

She is on the Arkansas Arts Council’s Arts on Tour roster as oboist with the Lyrique Quintette. The quintet has toured Spain, Germany, Thailand, Canada, and throughout the United States, giving formal concerts, school concerts, master classes, clinics, and workshops. The quintet released its Arrivals and Departures: Music of the Americas album on the Mark Classic label.

Delaplain has appeared at several International Double Reed Society Conventions, and she was a guest recitalist at the Southwest Contemporary Music Festival and Conference, in addition to performing at the College Music Society National and Regional Conventions.

She recently released an album, Souvenirs, with pianist Tomoko Kashiwagi on the MSR Classics label. Her YouTube channel about oboe reedmaking, “Something to Crow About,” (https://www.youtube.com/@somethingtocrowabout1408) has been viewed by thousands of oboe reedmakers, and her book, “My Kingdom for a Reed!” is a favorite among teachers and students.

She has just been announced as the second prize recipient in The American Prize in Instrument Performance Competition for 2024-2025 

Dr. Delaplain teaches oboe and music theory at the University of Arkansas. She holds degrees from the University of Cincinnati College-Conservatory of Music, Bowling Green State University, and the University of Michigan. She is a Lorée Artist, and is the owner of Edmund Nielsen Woodwinds.

Details about Sequoyah Oboe Reeds and Sequoyah English Horn Reeds On Our Website

Posted on Leave a comment

RK Bassoon Reeds

Richard Kandetski
RK Reed Maker

We’re honored to feature RK Red Bassoon Reeds, RK Teal Bassoon Reeds, and RK Red Bassoon Reeds On Our Website. Mr. Kandetzki, maker of all three styles of RK reeds that we stock, knew he wanted to play a musical instrument by the age of five! Recorder came first and by junior high school he was taking flute lessons.

In his first year of high school, as one of 20 flutists in the school orchestra, he made the excellent decision to switch to bassoon. Living near New York City at that time, Richard was privileged to have Joyce Kelly, NY City Opera principal bassoonist, as his primary teacher.

Prior to high school graduation, he began working for Jack Spratt Music Publishing in Old Greenwich, Connecticut. This venerable store was one of the few places in the US that specialized in cane, tools, supplies, and sheet music for double reeds. Besides filling stock and sending mail orders, he made all the bassoon and oboe reeds that were shipped out to customers. This amounted to perhaps thousands of reeds! He continued to work at Jack Spratt’s during summers between university semesters.

Gaining acceptance at The New England Conservatory of Music, he studied with Boston Symphony principal bassoonist Sherman Walt and Richard Plaster, Boston Symphony’s contra bassoonist.

Mr. Kandetzki’s performance credits include contra bassoonist with the Orquestra Sinfônica do Estado de São Paulo, Brazil (under Eleazar de Carvalho) and ten years as principal bassoon of the Ridgefield, Conn. Symphony. He has performed with the American Philharmonic at Lincoln Center, the Greenwich Symphony Orchestra, the Norwalk Symphony Orchestra, and the Manchester Symphony Orchestra, along with numerous chamber ensembles in New York, Massachusetts, and Connecticut.

He was a founding member of the Blackledge Woodwind Quintet and a member of the “Musical Friends” chamber group, both based in the Hartford, Connecticut area.

For a span of 10-15 years, he set the bassoon aside to concentrate on a career in software development and to raise his family.

After that successful career in software development, he returned to playing the instrument, and returned to making reeds, first for himself and then for others.

Retired from the corporate world, Mr. Kandetzki now lives in Brazil and continues his love of reed making.

Details about

RK Red Bassoon, RK Teal Bassoon, and RK Red Bassoon On Our Website

Posted on Leave a comment

King Bassoon and Contra Bassoon Reeds

Kevin King
King Reed Maker

We’re honored to feature King Bassoon Reeds and King Contra Bassoon Reeds on our website.

Kevin King is a Boston based bassoonist and contra bassoonist with over 20 years of bassoon and contra bassoon reed making experience.

He studied with Richard Plaster and Charlie Bailey and currently plays with a number of Boston area orchestras. He is a reed maker who always strives to find new innovative tools and equipment to further enhance the performance of his reeds.

Details about King Bassoon Reeds and King Contra Bassoon Reeds

On Our Website