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Choosing the Perfect Double Reed Instrument: A Parent and Teen Guide

When you or your child are in the market for a double reed instrument—such as an oboe or bassoon—it’s important to know what to look for and how to test each instrument before making a decision. This guide will help you navigate the process with confidence.

Key Considerations Before You Begin

– Budget: Set a budget that includes both the cost of the instrument and any necessary accessories (reeds, cases, etc.).
– Skill Level: Consider whether the instrument is for a beginner, intermediate, or advanced player.
– Personal Preference: Remember, this is a personal choice—what feels and sounds right to one person might not be the same for another.

Attributes to Look For

Sound Quality
– Clarity: Does the instrument produce a clear, resonant sound?
– Tone: Is the tone warm and consistent across all registers?
– Projection: Does the sound carry well in different settings?

Ease of Play
– Response: How easily does the instrument respond to breath and finger movements?
– Intonation: Does the instrument stay in tune across its range?
– Comfort: Is the key action smooth, and does the instrument feel comfortable to hold?

Build Quality
– Materials: Check the quality of the wood or synthetic materials used.
– Craftsmanship: Look for smooth, well-finished surfaces and precise key mechanisms.
– Durability: Consider the reputation of the brand for long-lasting instruments.

Aesthetics
– Appearance: Does the instrument look visually appealing to you?
– Finish: Is the finish smooth, even, and free from blemishes?

Value
– Is the brand well known?
– Does this brand retain its value over time?

How to Test the Instrument

Warm-Up:
– Spend a few minutes getting comfortable with the instrument. Play some long tones and scales to start.

Test the Range:
– Play notes across the entire range of the instrument, from the lowest to the highest notes.
– Listen for consistency in tone and intonation across the range.

Dynamics:
– Try playing at different volumes—soft, medium, and loud.
– Notice how the instrument responds and whether it maintains a good sound quality at all dynamic levels.

Articulation:
– Test different types of articulation (staccato, legato, etc.).
– Check for clarity and ease in executing each articulation.

Play a Piece:
– If possible, play a piece of music you’re familiar with.
– This helps you assess how the instrument handles more complex passages and transitions.

Sample Graph: Comparing Instrument Attributes

Note: The ratings are just an example. Use this as a model or template to rate your own findings.

Attribute Instrument A Instrument B Instrument C
Sound Quality ⭐⭐⭐⭐⭐ ⭐⭐ ⭐⭐
Ease of Play ⭐⭐⭐ ⭐⭐⭐⭐⭐ ⭐⭐⭐⭐
Build Quality ⭐⭐⭐ ⭐⭐⭐⭐ ⭐⭐⭐
Aesthetics ⭐⭐⭐⭐ ⭐⭐⭐⭐⭐
Overall Rating ⭐⭐⭐⭐ ⭐⭐⭐⭐ ⭐⭐

 

 

 

 

 

 

 

 

 

Final Thoughts: Trust Your Instincts

Choosing a double reed instrument is a personal decision. While these guidelines are here to help, the most important factor is how the instrument feels and sounds to you. Take your time, try out several instruments, and choose the one that feels like the best fit.

Remember, the right instrument can inspire years of musical growth and enjoyment, so make sure it’s one you or your teen will love playing!

Good luck with your selection! If you have any questions or need further guidance, feel free to reach out to us or your instructor.

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Clean your bassoon: 5 pro methods you can do at home (with photos).

Bassoons accumulate dirt and finger oils. It’s a given, considering how much we play them, and where we go with them. The wood of your bassoon  is protected with one of a variety of products. Common finishes include (but are not limited to) shellac, varnish, lacquer, polyurethane, and mineral oil. For those who want to know more about these finishes, here’s a pretty good overview. Most of these can be cleaned easily, and we show you how in this post. 

An example of a glossy finish on the left and a matte finish on the right

Cleaning your own bassoon yields great benefits: saves you money, prolongs the life of your bassoon, keeps your bassoon functioning at its best, plus it’s easier than you think. Here are a few methods we recommend that you can do yourself.

If the finish on the bassoon is fully intact, and the finish is glossy or shiny (not light hand rubbed French polish) we do what Fox Products recommends – we use Lemon Pledge! Any variation of this product will do, of course.

A small spritz on a paper towel, and light rubbing/application will remove dirt and leave a beautiful shine (and reasonably nice odor). For the hard to get to parts, use a standard q-tip and take your time. It’s a slow process to get it right without leaving too much cleaner behind. Remove all traces of Pledge, as droplets left behind can become a dust attractant. You might consider doing this once every year or two or even sooner if you notice a significant buildup of dirt.

An example of a bassoon with a French Polish finish

If the finish is not shiny, it might have a “French polish” which uses an oil-based material and leaves a subtle matte finish. We recommend rubbing this kind of surface with a soft, clean cloth. That is usually ample. You can polish it now and then with a specialty wax or even with a tiny bit of furniture cream. Sticky marks can be removed with a small cloth soaked in warm, slightly soapy water and then fully wrung out.

A finish which shows crackling.

If the finish is crackled, there are unprotected wood areas, or it just seems delicate, we use a soft dry, cloth with little or no lint shedding. A paper towel can sometimes work well. If you get excessive amounts of wax, water or other substances on the raw wood, it won’t kill the bassoon, but it makes it harder for the repair tech to fix that area, and might raise the grain of the wood slightly, which could cause further damage around the edge of the exposed area. If there is exposed wood, we recommend bringing your bassoon to a repair technician before you apply any cleaning agent other than a dry cloth.

The area around the ring key shows finish loss.

Dirt from your fingers can leave built up yuckiness near the finger holes, especially on the wing joint. To clean this, first try a dry cloth and rub the buildup, trying not to spread the dirt around. If that doesn’t do the job, a slightly dampened q-tip can sometimes work. If none of these work, an old world solution is to touch a clean q-tip to your tongue (brush your teeth first) and use that slightly dampened q-tip to do the work. The pH value of saliva is slightly acidic, which varies between pH 5.75 and 7.05. It works very well in some situations.

Sometimes you’ll see key oil build up around the posts. Wherever metal rubs on metal, it may appear as dark colored oil in very minute amounts. The dark colored oil is an indication that the oil is doing its job floating away dirt and debris that builds up. Use a dry q-tip to wipe away the excess oil from the metalwork. You don’t have to leave the bassoon immaculate. Just remove enough so that you can’t easily reach more of it and relax. Take care not to rub the key oil into the wood as much as possible. It won’t hurt anything in the short term, but it does become an attractant for dust and dirt and can make cleaning the wood more time consuming. When you next get your bassoon worked on, ask the repair tech to clean the rods and posts and apply new oil. If you have sufficient experience, you can also clean and apply key oil yourself.

Use a Q-tip to get under and around areas you can’t reach with your fingers or a cloth.

If you care to share your experiences with us, we’re very interested in how this works out for you.

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Should I Get A Different Bocal?

Each bocal has slightly different characteristics. Better? Worse? Unfortunately, there’s no specific way to know unless you actually try and see how the bocal fits with your particular bassoon, reed, and embouchure.  A dozen of the “same” Heckel CC2 bocals would all sound and behave slightly differently on your setup. 

If you’re having specific trouble in intonation or evenness of tone across the octaves, my first recommendation is to have the instrument adjusted, if you have not had that done that lately. Sometimes what seems like a bocal issue can be a slight leak or maladjustment.