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Choosing the Perfect Double Reed Instrument: A Parent and Teen Guide

When you or your child are in the market for a double reed instrument—such as an oboe or bassoon—it’s important to know what to look for and how to test each instrument before making a decision. This guide will help you navigate the process with confidence.

Key Considerations Before You Begin

– Budget: Set a budget that includes both the cost of the instrument and any necessary accessories (reeds, cases, etc.).
– Skill Level: Consider whether the instrument is for a beginner, intermediate, or advanced player.
– Personal Preference: Remember, this is a personal choice—what feels and sounds right to one person might not be the same for another.

Attributes to Look For

Sound Quality
– Clarity: Does the instrument produce a clear, resonant sound?
– Tone: Is the tone warm and consistent across all registers?
– Projection: Does the sound carry well in different settings?

Ease of Play
– Response: How easily does the instrument respond to breath and finger movements?
– Intonation: Does the instrument stay in tune across its range?
– Comfort: Is the key action smooth, and does the instrument feel comfortable to hold?

Build Quality
– Materials: Check the quality of the wood or synthetic materials used.
– Craftsmanship: Look for smooth, well-finished surfaces and precise key mechanisms.
– Durability: Consider the reputation of the brand for long-lasting instruments.

Aesthetics
– Appearance: Does the instrument look visually appealing to you?
– Finish: Is the finish smooth, even, and free from blemishes?

Value
– Is the brand well known?
– Does this brand retain its value over time?

How to Test the Instrument

Warm-Up:
– Spend a few minutes getting comfortable with the instrument. Play some long tones and scales to start.

Test the Range:
– Play notes across the entire range of the instrument, from the lowest to the highest notes.
– Listen for consistency in tone and intonation across the range.

Dynamics:
– Try playing at different volumes—soft, medium, and loud.
– Notice how the instrument responds and whether it maintains a good sound quality at all dynamic levels.

Articulation:
– Test different types of articulation (staccato, legato, etc.).
– Check for clarity and ease in executing each articulation.

Play a Piece:
– If possible, play a piece of music you’re familiar with.
– This helps you assess how the instrument handles more complex passages and transitions.

Sample Graph: Comparing Instrument Attributes

Note: The ratings are just an example. Use this as a model or template to rate your own findings.

Attribute Instrument A Instrument B Instrument C
Sound Quality ⭐⭐⭐⭐⭐ ⭐⭐ ⭐⭐
Ease of Play ⭐⭐⭐ ⭐⭐⭐⭐⭐ ⭐⭐⭐⭐
Build Quality ⭐⭐⭐ ⭐⭐⭐⭐ ⭐⭐⭐
Aesthetics ⭐⭐⭐⭐ ⭐⭐⭐⭐⭐
Overall Rating ⭐⭐⭐⭐ ⭐⭐⭐⭐ ⭐⭐

 

 

 

 

 

 

 

 

 

Final Thoughts: Trust Your Instincts

Choosing a double reed instrument is a personal decision. While these guidelines are here to help, the most important factor is how the instrument feels and sounds to you. Take your time, try out several instruments, and choose the one that feels like the best fit.

Remember, the right instrument can inspire years of musical growth and enjoyment, so make sure it’s one you or your teen will love playing!

Good luck with your selection! If you have any questions or need further guidance, feel free to reach out to us or your instructor.

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A student asked: “why do my oboe reeds play flat?”

If the reeds are not super long, generally, this means more breath support is needed. An indelicate test for this is to play into a tuner, and squeeze the reed harder with your lips while you’re playing. If the pitch is uncertain or swoops upward, the reed is too easy for you, and your concentration of breath is not sufficient to make it work consistently.

A common misconception is that softer reeds means easier reeds. Actually, the softer (easier, less resistant) a reed, the more embouchure control and breath support are needed to produce a good, consistent and in-tune sound.

Always consider that the instrument may be having a problem, too. If all your reeds are flat, or weird, it’s probably not you, or the reeds. Get your instrument to a repair technician.

If you have an experienced teacher, they will be your best resource. If not, try asking around and see if you can find someone to work with you in person.

There’s a great book on this subject that can help out. The Breathing Book, by Stephen Caplan, is a guide we trust. 60 pages of detailed instructions, illustrations, explanations, and examples. It’s helped out many a flummoxed reed player.

There’s a so much more to share on this topic – this little explanation barely scrapes the surface (hehe). I’ll write more sometime soon.

Have any questions? Let me know. I know a lot of stuff, and I’m eager to share.

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How often should I bring my instrument in for adjustment?

Most players find that having their instrument examined every 2 years works well. Of course, bring it in sooner if something doesn’t feel right, or there’s a problem.

What a repair tech does every two years might include a play test and a check to make sure all the pads are sealing well. Here at Charles Double Reeds we use a machine that measures how much air is escaping when all the pads are closed. It’s a test in which we plug one side of the joint, and then use a magnehelic machine to blow a steady stream of air in from the other side.  If any air is escaping, we’ll know right away.

There’s usually a bit of dusting needed, and depending on how much you’ve been practicing, the instrument might be pretty dirty. Your repair tech might simply polish and dust or they might recommend a more thorough cleaning. Cleaning before the instrument gets really dirty will extend the life of the pads, and make the whole instrument feel better to play.

Then a light oil is applied in the places where metal touches metal and moves. This usually does not need to be done more regularly. If you live in a very humid, or arid climate, oiling the keys more often might be a good idea.

You might expect a biannual examination to take about an hour. The cost can vary if parts are needed, or there is a specific problem like a crack or bent key. Ask in advance, and your repair tech will give you a quote, and work to keep it affordable.

For even more info, visit our instrument repair page.