A specific problem gets fixed. Examples: replace a leaking pad, adjust regulation, fix a bent key, repair a crack, replace a tenon cork.
These tend to be small, localized repairs. A repair is appropriate when the instrument plays well overall and has only one or two issues.
A repair is precise and focused – correcting what’s wrong without disturbing what’s working.
A full mechanical renewal in which an instrument is completely disassembled and rebuilt mechanically. This typically includes a full repad, all corks and felts replaced, tone holes cleaned, key fitting, spring adjustments, full regulation, cleaning and polishing.
This often takes a few weeks. It’s appropriate when pads are old or there’s extensive leaking, keys are loose and noisy, the instrument hasn’t been serviced or played in years, the overall instrument feels resistant and inconsistent.
An overhaul restores uniformity, response, and reliability – returning the instrument to optimal playing condition.
We return an instrument to original condition, structurally, historically, and aesthetically. Typically this includes crack pinning, structural stabilization, bore restoration, rebuilding damaged wood, replating keys, recreating missing parts, correcting past improper repairs, historical accuracy work.
This service often takes months and is appropriate for a vintage or professional instrument that has significant damage or neglect and is of historical or collector value.
Restoration is meticulous, specialized work intended to preserve the instrument’s longevity, integrity, and character.
Formal, guaranteed estimates are given once the instrument is in our shop.
We can also provide informal estimates from photos or detailed descriptions.
Simple repairs may take as little as an hour, while full overhauls can take three weeks or more.
Once we examine the instrument, we’ll give you a time and cost estimate before any work begins. Preliminary time estimates can also be provided from photos or descriptions.
Restoration is meticulous, specialized work intended to preserve the instrument’s longevity, integrity, and character.
It is appropriate for vintage, professional, or historically significant instruments – or when structural damage requires more than standard service.
This type of attention will takes months at a minimum.
Brian Charles, our founder, owner, appraiser, and repair technician has been a double reed player since the 7th grade. Brian was the reed maker at Ponte Music Company in NYC while attending Manhattan and Juilliard Schools of Music as a performance major.
His experience with noted repair technicians Saul Fromkin and Pedro Rivera led to his fascination with and eventual study of double reed repair. His repair clients include members of major orchestras, doublers, professionals, students, and teachers throughout the US.
He offers workshops on double reed repair and reedmaking throughout the country.
Brian is a seasoned oboe and bassoon performer having worked extensively on Broadway, in commercials, on symphonic tours, and in solo ventures.
To book an appointment contact Brian directly
Brian’s wealth of experience and expertise adds a unique element to your event.
